C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany
Identifieur interne : 000352 ( Main/Exploration ); précédent : 000351; suivant : 000353C. P. E. Bach and Friedrich Ludwig DÜlon: Composition and improvisation in late 18th-century Germany
Auteurs : Leta E. MillerSource :
- Early Music [ 0306-1078 ] ; 1995.
English descriptors
- Entity :
- pers : David Fallows, Jean Collingsworth, Laurence Dreyfus, Laurence Feininger, Orlando Consort, Rachel Platt, Thomas Tallis, William Byrd.
- place : Portugal.
- Teeft :
- Alterensemble music, Ample testimony, Apollonian style, Attractive programme, Authentic dufay, Better balanced, Binchois sound haptuosity, Black bird, Bromley parish church, Canonic fantasia, Chamber music, Choral approach, Commendably robust, Complete instrumental, Complex texture, Conian woodfield musicianship, Consort, Consort music, Consort music nate, Consort song, Cording last year, Counteranonymous cycle, David redominique vellard, Deliberate choice temporary, Dufay, Early music february, Ecce ancilla, Elizabethan fantasia, English clarity, English group, Ensemble gilles binchois, Entente cordiale, Enviable clarity, Expressive music, Exquisite final, Fabrice fitch brisker view, Final choice, Final chord, First balance, Full justice, Galliard hint briefly, Gallic forthrightness, Gareth curtis, Greater distance, High tenor, Hilliard ensemble spring, Hilliard falsettists, Idea sics, Important fantasia, In part, Inclusion oicruxfidelis, Instrumental piece, Integral part, Interpretation fresh, Interpretative edge, Jean collingsworth, Josquin desprez, Late mass, Laurence dreyfus, Laurence feininger, Less auspicious, Lighter touch, Lighter world, Linear momentum, Little inflection, Lower pitch standard, Lower voice, Magnificat octavi toni, Major attraction, Many difference, Mari stella, Mark levy, Mass propers, Mater strike, Missa, Missa ecce ancilla, Missa ecce ancilla domini, Mistic interpretation, Monumental quality, More atmospheric, More austere basic sound, More convincing, More frustrating, More idiosyncratic, Music more time, Newest release, Obvious virtue, Occasional wrong note, Optihow falsettists, Organ music, Orlando consort, Other issue, Oxford camerata, Part redemptoris mater, Performance practice, Piece fare better, Plainsong setting, Previous disc, Production crew, Programme proceeds, Proudsound prou, Rachel platt, Recent year something, Redemptoris mater, Regina celorum, Regular player, Renaissance masterpiece, Rich timbre, Ridiculous level, Sacred polyphony, Sacred renaissance polyphony early music february, Salve regina, Same diredemptoris mater, Schola cantorum basiliensis, Sequence performance, Several year, Shape phrase, Shorter piece, Simplest term, Slower tempo, Small choir, Song william byrd, Studio hiatus, Taverner choir, Taverner choir release, Tenor player, Thomas tallis, Threeand fantasia, Tone production, Trade description, Treble viol, Unhappy instance, Unscripted dissonance, Viol, Viol consort, Viol piece, Viol player, Virgin clastastes, Virgin veritas, Vocal extreme free more expressive, Weighty sobriety, William byrd, Worth hearing, Year missa salve regina alma, Year song, Young singer, Younger conas, Younger group.
Url:
DOI: 10.1093/earlyj/XXIII.1.65
Affiliations:
Links toward previous steps (curation, corpus...)
Le document en format XML
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<term>Jean Collingsworth</term>
<term>Laurence Dreyfus</term>
<term>Laurence Feininger</term>
<term>Orlando Consort</term>
<term>Rachel Platt</term>
<term>Thomas Tallis</term>
<term>William Byrd</term>
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<term>Ample testimony</term>
<term>Apollonian style</term>
<term>Attractive programme</term>
<term>Authentic dufay</term>
<term>Better balanced</term>
<term>Binchois sound haptuosity</term>
<term>Black bird</term>
<term>Bromley parish church</term>
<term>Canonic fantasia</term>
<term>Chamber music</term>
<term>Choral approach</term>
<term>Commendably robust</term>
<term>Complete instrumental</term>
<term>Complex texture</term>
<term>Conian woodfield musicianship</term>
<term>Consort</term>
<term>Consort music</term>
<term>Consort music nate</term>
<term>Consort song</term>
<term>Cording last year</term>
<term>Counteranonymous cycle</term>
<term>David redominique vellard</term>
<term>Deliberate choice temporary</term>
<term>Dufay</term>
<term>Early music february</term>
<term>Ecce ancilla</term>
<term>Elizabethan fantasia</term>
<term>English clarity</term>
<term>English group</term>
<term>Ensemble gilles binchois</term>
<term>Entente cordiale</term>
<term>Enviable clarity</term>
<term>Expressive music</term>
<term>Exquisite final</term>
<term>Fabrice fitch brisker view</term>
<term>Final choice</term>
<term>Final chord</term>
<term>First balance</term>
<term>Full justice</term>
<term>Galliard hint briefly</term>
<term>Gallic forthrightness</term>
<term>Gareth curtis</term>
<term>Greater distance</term>
<term>High tenor</term>
<term>Hilliard ensemble spring</term>
<term>Hilliard falsettists</term>
<term>Idea sics</term>
<term>Important fantasia</term>
<term>In part</term>
<term>Inclusion oicruxfidelis</term>
<term>Instrumental piece</term>
<term>Integral part</term>
<term>Interpretation fresh</term>
<term>Interpretative edge</term>
<term>Jean collingsworth</term>
<term>Josquin desprez</term>
<term>Late mass</term>
<term>Laurence dreyfus</term>
<term>Laurence feininger</term>
<term>Less auspicious</term>
<term>Lighter touch</term>
<term>Lighter world</term>
<term>Linear momentum</term>
<term>Little inflection</term>
<term>Lower pitch standard</term>
<term>Lower voice</term>
<term>Magnificat octavi toni</term>
<term>Major attraction</term>
<term>Many difference</term>
<term>Mari stella</term>
<term>Mark levy</term>
<term>Mass propers</term>
<term>Mater strike</term>
<term>Missa</term>
<term>Missa ecce ancilla</term>
<term>Missa ecce ancilla domini</term>
<term>Mistic interpretation</term>
<term>Monumental quality</term>
<term>More atmospheric</term>
<term>More austere basic sound</term>
<term>More convincing</term>
<term>More frustrating</term>
<term>More idiosyncratic</term>
<term>Music more time</term>
<term>Newest release</term>
<term>Obvious virtue</term>
<term>Occasional wrong note</term>
<term>Optihow falsettists</term>
<term>Organ music</term>
<term>Orlando consort</term>
<term>Other issue</term>
<term>Oxford camerata</term>
<term>Part redemptoris mater</term>
<term>Performance practice</term>
<term>Piece fare better</term>
<term>Plainsong setting</term>
<term>Previous disc</term>
<term>Production crew</term>
<term>Programme proceeds</term>
<term>Proudsound prou</term>
<term>Rachel platt</term>
<term>Recent year something</term>
<term>Redemptoris mater</term>
<term>Regina celorum</term>
<term>Regular player</term>
<term>Renaissance masterpiece</term>
<term>Rich timbre</term>
<term>Ridiculous level</term>
<term>Sacred polyphony</term>
<term>Sacred renaissance polyphony early music february</term>
<term>Salve regina</term>
<term>Same diredemptoris mater</term>
<term>Schola cantorum basiliensis</term>
<term>Sequence performance</term>
<term>Several year</term>
<term>Shape phrase</term>
<term>Shorter piece</term>
<term>Simplest term</term>
<term>Slower tempo</term>
<term>Small choir</term>
<term>Song william byrd</term>
<term>Studio hiatus</term>
<term>Taverner choir</term>
<term>Taverner choir release</term>
<term>Tenor player</term>
<term>Thomas tallis</term>
<term>Threeand fantasia</term>
<term>Tone production</term>
<term>Trade description</term>
<term>Treble viol</term>
<term>Unhappy instance</term>
<term>Unscripted dissonance</term>
<term>Viol</term>
<term>Viol consort</term>
<term>Viol piece</term>
<term>Viol player</term>
<term>Virgin clastastes</term>
<term>Virgin veritas</term>
<term>Vocal extreme free more expressive</term>
<term>Weighty sobriety</term>
<term>William byrd</term>
<term>Worth hearing</term>
<term>Year missa salve regina alma</term>
<term>Year song</term>
<term>Young singer</term>
<term>Younger conas</term>
<term>Younger group</term>
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